DIONNYS MATOS
ALEJANDRO JUSTIZ
ALEJANDRO JUSTIZ














A new series of 70 Download & Donate digital drawings and a short film.
OCCASIONAL LANDSCAPES
SAMUEL RIERA
We join the artist on a journey of discovery to a world where precise, multi-layered, dimensional paper collages, often cut from fashion magazines, spring to life as the thriving inhabitants of Planeta Sandra. She manages to blend the whimsical and the sensual, the threatening and the sublime as she recounts the mythological folklore of a primordial world not that far from our own.
With an explorer’s eye and a botanist’s discipline, Sandra meticulously catalogs each Sandremios by genus and species as specimens deserving of further study.
In these collages, I deconstruct everyday forms to create new narratives.
Through the use of nature, science and whimsy, I invent new landscapes and environments in a visual language that is uniquely my own.
-Sandra Cordero
As curator and philosopher, Luis Ramaggio, observes, “As any respected expeditionist, she quietly observes and classifies. As a visionary. As a hungry expert. As a mentalist. Lurking around her own self, and wandering through her habits and personality, Sandra discovers that she herself is a world.”
We join the artist on a journey of discovery to a world where precise, multi-layered, dimensional paper collages, often cut from fashion magazines, spring to life as the thriving inhabitants of Planeta Sandra. She manages to blend the whimsical and the sensual, the threatening and the sublime as she recounts the mythological folklore of a primordial world not that far from our own.
With an explorer’s eye and a botanist’s discipline, Sandra meticulously catalogs each Sandremios by genus and species as specimens deserving of further study.
In these collages, I deconstruct everyday forms to create new narratives.
Through the use of nature, science and whimsy, I invent new landscapes and environments in a visual language that is uniquely my own.
-Sandra Cordero
As curator and philosopher, Luis Ramaggio, observes, “As any respected expeditionist, she quietly observes and classifies. As a visionary. As a hungry expert. As a mentalist. Lurking around her own self, and wandering through her habits and personality, Sandra discovers that she herself is a world.”
AILEN MALETA
RIGO (JOSÉ RIGOBERTO RODRÍGUEZ CAMACHO)
VAGABUNDUS DREAMS
WELCOME TO THE EVERGLADES
WELCOME TO THE EVERGLADES
Please stop by to see our new window gallery featuring several new entries to the world of Planeta Sandra. In the colorful Vagabundus' minds we find their dreams are in black & white. These works, done in quarantine, are a marked departure from the visual jubilance of her previous work.
Exhibition on view from 02/03/2021 thru 02/14/2021.
ON VIEW: 05/12/21 – 06/27/2021
VIDEOS
GOOD THINGS COME
A COLLECTION OF MOSTLY SMALL TREASURES
The art of possessing (and giving)
Perhaps the wonder of living lies in finding, collectively and individually, imaginative ways to (re)enchant our lives through desire. Satisfying this wishing, wanting, longing and craving can take many paths.
For some of us, possessing certain things is a form of happiness. The belongings we acquire and decide to keep—the family heirlooms, the forgotten vase on the bookcase, the painting in the kitchen, the dinner receipt at the bottom of a bag, the book we’ll never read, the laptop sticker that pretends to be funny—are the verifiable map of our diverse identities, the concrete forms that remind us where we come from, how we experience the world and who we are through time and change.
If our possessions are timeless, we’ll feel no great need to upgrade them. If they’re meaningful, we’ll want to keep them longer. If we enjoy having them, we’ll take better care of them. In this way, the cure for consumerism is not to be less concerned about our material things, but more so – thoughtfully choosing things that are able to accompany us through life and that inspire us to better appreciate them.
Of all our belongings, art is singular in that our interaction with it is deeper, providing more than comfort or the fulfillment of a practical purpose, the way a neatly manicured lawn or a piece of furniture or a gadget does. Art taps into that which is most alive in us, connecting our desire for transcendence to our everyday, and the craving for ever deeper meaning. Good Things Come is a commitment to the longing for that vitality. A drive for accessing the intangible through the creative visions embodied in concrete works of art. A belief in art as a source of life beyond the mundane, a life to be not just lived but continuously re-created, re-interpreted and better understood.
Good Things Come is also a place: 47 Orchard Street. A place to visit and discover, among other things, the archaeology of our desire and the possibility of sharing it with those we love and cherish the most. In this way, art is a gift to possess and one to give.

SELECTED WORKS
















