DIONNYS MATOS
ALEJANDRO JUSTIZ
ALEJANDRO JUSTIZ














A new series of 70 Download & Donate digital drawings and a short film.
OCCASIONAL LANDSCAPES
SAMUEL RIERA
We join the artist on a journey of discovery to a world where precise, multi-layered, dimensional paper collages, often cut from fashion magazines, spring to life as the thriving inhabitants of Planeta Sandra. She manages to blend the whimsical and the sensual, the threatening and the sublime as she recounts the mythological folklore of a primordial world not that far from our own.
With an explorer’s eye and a botanist’s discipline, Sandra meticulously catalogs each Sandremios by genus and species as specimens deserving of further study.
In these collages, I deconstruct everyday forms to create new narratives.
Through the use of nature, science and whimsy, I invent new landscapes and environments in a visual language that is uniquely my own.
-Sandra Cordero
As curator and philosopher, Luis Ramaggio, observes, “As any respected expeditionist, she quietly observes and classifies. As a visionary. As a hungry expert. As a mentalist. Lurking around her own self, and wandering through her habits and personality, Sandra discovers that she herself is a world.”
We join the artist on a journey of discovery to a world where precise, multi-layered, dimensional paper collages, often cut from fashion magazines, spring to life as the thriving inhabitants of Planeta Sandra. She manages to blend the whimsical and the sensual, the threatening and the sublime as she recounts the mythological folklore of a primordial world not that far from our own.
With an explorer’s eye and a botanist’s discipline, Sandra meticulously catalogs each Sandremios by genus and species as specimens deserving of further study.
In these collages, I deconstruct everyday forms to create new narratives.
Through the use of nature, science and whimsy, I invent new landscapes and environments in a visual language that is uniquely my own.
-Sandra Cordero
As curator and philosopher, Luis Ramaggio, observes, “As any respected expeditionist, she quietly observes and classifies. As a visionary. As a hungry expert. As a mentalist. Lurking around her own self, and wandering through her habits and personality, Sandra discovers that she herself is a world.”
AILEN MALETA
RIGO (JOSÉ RIGOBERTO RODRÍGUEZ CAMACHO)
VAGABUNDUS DREAMS
WELCOME TO THE EVERGLADES
WELCOME TO THE EVERGLADES
Please stop by to see our new window gallery featuring several new entries to the world of Planeta Sandra. In the colorful Vagabundus' minds we find their dreams are in black & white. These works, done in quarantine, are a marked departure from the visual jubilance of her previous work.
Exhibition on view from 02/03/2021 thru 02/14/2021.
ON VIEW: 05/12/21 – 06/27/2021
VIDEOS
SANDRA CORDERO
PLANETA SANDRA
The first New York solo exhibition by Cuban artist Sandra Cordero, Planeta Sandra was a pop-up exhibit on display in the Lazy Susan Gallery at 191 Henry Street which ran from
October 10th through 13th, 2019.

Sensitiva Rubra Esuritt

Vagabundus Venenata S

Vagabundus Superbisimis

Confractus Bush S

Vagabundus Praeda Fugacior

Vagabundus Libidinousus Femina

Vagabundus Bindi

Vagabundus Iuga
SOLD

Vagabundus Gratias Ago
SOLD

Vagabundus Dum Lingua

Vagabundus Mufa

Et Sanguinen Delerium
SOLD

Vagabundus Timasis
SOLD

Vagabundus Clevisia Tenebris


Vagabundus Guntis Coloniam

Soils and Subsoils No. 1

Soils and Subsoils No. 2

Soils and Subsoils No. 3
SOLD

Soils and Subsoils No. 4

Soils and Subsoils No. 5

Soils and Subsoils No. 6

Soils and Subsoils No. 8

Exolvuntur


Mater Libido

Atrana Kiranides Soli

Detail

Detail

Frigus Silentium


Sperandu Initium. Soils, Subsoils and Blooms
(Double-sided)

Effectus Hiems. Soils, Subsoils and Blooms
(Double-sided)

Effectus Hiems. Soils, Subsoils and Blooms
(Obverse)


Peperit. Soils, Subsoils and Blooms
(Double-sided)




Kinuria Flavo. Soils, Subsoils and Blooms
(Double-sided)

Detail

Atrana Humidum


Atranas Rostratis

Atrana Nova Caeli

Atrana Ire Cupiebas

Atrana Extasis Cione
INSTALLATION








